PETER BLACK:
Come in
12-20 February, 2026
Does a “non artist” belong in art gallery? I think so. And Peter Black supplies ample proof as to why it might be an interesting idea.
Peter is the Nuclear Physics Lab Manager at the School of Physics and Astronomy at the University of Edinburgh, and a very interesting maker who embraces creativity every day in his work creating the gear needed for various scientific experiments. He was invited into the gallery as part of Sites of Malpractice (SoM) - an ongoing, experimental project that tests what a gallery is allowed to be used for, and who it might serve.
Here, the gallery is treated not so much as a place of fixed cultural “meaning” but as a site of ontological ghosting. At different times, it might become a meeting place, a dumping ground, a transaction, a confessional, or something that would never be recognised as an art venue at all. (The question is not whether the uses are appropriate, but why they might register as inappropriate in the first place.)
Mark of the Machine, 2026
Frequency Synthesizer, 2017/26
Bespoke Jewellery, 2023-6
Robot Marionette, 2024
Iron Maiden, 2013
Target Ladder, 2015
Side Table with ‘Gold’ bar, 2026
Min(e)d Forest, 2026
I Don't Know Yet, 2026
Sunday, 2026
Emotional Mirror, 2016
Temple, 2026
Degrees of Resistance, 2026